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Stanley
Thompson: Splendor in the Rye
By Jeff Mingay
Only a geographical limit in the list of
Golfweek magazine's "America’s Best" (golf courses) prevents inclusion of
Stanley Thompson’s work among the game’s classical
designs.
This Canadian legend, who died in 1953, worked
largely north of the border, where he had a decisive influence
on a number of prominent U.S. designers. His finest layouts
- Capilano Golf Club in Vancouver, Jasper Park Lodge Golf
Course and Banff Springs Golf Club in Alberta, Toronto's elegant
St. George's Golf & Country Club, and the grandiose Cape
Breton Highlands Links in Nova Scotia - easily rank among
the world's greatest golf courses.
Yet, outside of Canada, very little is known
about Thompson and his golf architecture.
A charter member of the American Society
of Golf Course Architects in 1947, Thompson was an artistic
genius with a remarkable talent for routing spectacular golf
courses over difficult terrain. For that, he was highly respected
by his contemporaries during golf design's Golden Age, between
the two world wars.
Alister Mackenzie, architect of Cypress Point
and Augusta National, once described Thompson's Jasper Park
course as "the best I've ever seen".
Thompson and Mackenzie shared a penchant
for strategic design, steadfast in their belief that the game
should be played with the mind as much as with the body. They
were also adamant that nature always be the architect's model
in golf course construction.
"Stan was an artist," said golf
architect Geoffrey Cornish, who worked for Thompson during
the late-1930s. "He would sometimes spend hours personally
shaping a single bunker by hand."
Thompson's bunkers are indeed the most visual
demonstration of his artistic flair. By definition, a Thompson
bunker is irregular in shape, featuring dramatic capes and
bays, with sand flashed high on its interior face in order
to ensure visibility and drama. However, his art was not limited
to a single rule. A variety of bunker styles can be found
on various Thompson courses.
Even more impressive than their attractive
appearance was Thompson's judicious placement of his bunkers.
He frequently located them at varying distances in the direct
line from tee-to-green, forcing all golfers, regardless skill
level, to consider their presence.
He always provided an option to play away
from the sand, on a longer route to the green. By playing
over, or near Thompson's bunkers, risk-takers are often rewarded
with reduced yardage on the subsequent stroke, and/or a much
better angle from which to approach the green.
"The most successful course is one that
will test the skill of the most advanced player, without discouraging
the 'duffer', while adding to the enjoyment of both," Thompson wrote in his 1923 manifesto, General Thoughts
on Golf Course Design. "One should always keep
in mind that more than 85 per cent of the golfers play 90
and over. These are the men that support the clubs and therefore
the course should not be built for the men who play in the
70 class."
Thompson was an excellent golfer, winner
of the qualifying medal at the Canadian Amateur championships
of 1919, '23 and '25. Born in Toronto, Ont. in 1894, he was
one of five brothers christened "The Amazing Thompson" who dominated the Canadian golf scene during the 1920s.
Shortly after his return from service in
Europe during the First World War, Thompson entered into a
partnership with his eldest brother Nicol, the professional
at Hamilton (Ontario) Golf & Country Club, and Toronto
Golf Club's well-known pro George Cumming. The firm of Thompson,
Cumming & Thompson opened a downtown Toronto office in
1920 and immediately attracted numerous golf course design
commissions. In fact, after one year in business, the firm
was so busy that the pros were forced to give up golf architecture
in favor of adequately servicing the memberships of their
respective clubs.
Stanley Thompson, on the other hand, was
just getting started. He re-organized the business as Stanley
Thompson & Co., Ltd., hired a soil chemist, plant pathologists,
landscape architects, an arborist, and a land planner, and
forged onward. By 1924, he claimed (inaccurately, as it turned
out) to be the most active golf architect in North America,
having designed or remodeled 44 courses in Canada, and another
twelve in the U.S.
According to his biographer, James Barclay,
author of The Toronto Terror: The Life and Works of
Stanley Thompson, Golf Course Architect (Sleeping Bear
Press, 2000), Thompson’s career yielded some 145 course
projects, a large majority in Canada, with some 20 in the
U.S. and a handful in South America and the West Indies.
In 1951, a St. Paul., Minn. newsman covering Thompson’s construction of North Oaks Country Club described the Canadian as a "fabulous little gentleman with a red face and a spike-pointed cane seat". He was indeed a short, rotund man, always dressed conservatively in a suit and waistcoat.
It has been purported that Thompson made
three fortune and lost them all, earning the nickname "The
Toronto Terror" in the process as a result of his often
outrageous behavior and extravagant tastes.
Throughout his most prosperous years during
the 1920s, Thompson enjoyed a dozen cigars daily, 15-ounce
steaks and no small volume of Canadian rye whiskey. Alcohol
never turned him into a villain, but it did fuel his unparalleled
skills as a salesman.
"Stan could sell anything to anybody,"
said Cornish. "He was undoubtedly the greatest salesman
ever in our business."
Throughout his career, Thompson took great
pride in tutoring a number of aspiring young architects. Among
the notables he mentored were Cornish, Clinton E. "Robbie" Robinson, and Howard Watson, whom all went on to establish
successful design practices.
Salesmanship was perhaps Thompson's most
enduring lesson, as exemplified by his best-known pupil: Robert
Trent Jones. Jones is acknowledged by many pundits as the
most influential golf architect in history. Between 1930 and
his death last year, Trent Jones laid-out some 400 courses
in twenty-three countries, and remodeled numerous others in
preparation for significant championships.
According to Cornish, Jones owed much of
his success to Thompson.
"All of us were very grateful to Stan," Cornish said.
In 1930, Thompson first made acquaintance
with a brash 24-year-old Jones, fresh out of Cornell University
in Ithaca, N.Y., where he had fashioned a unique course of
studies to prepare himself for a career as a golf architect.
Jones had been hired to layout a new course for Midvale Golf
Club near his hometown of Rochester, N.Y. Curiously, the veteran
Thompson was brought in by the club to supervise his work.
As fate would have it, Thompson and Jones
discovered that they shared many ideas. In 1932, they formed
Thompson-Jones and Co., with offices in Toronto, Rochester,
and later New York City. Though loose at times, their partnership
lasted until the mid-1940s, with Thompson's efforts concentrated
primarily in Canada and Jones focused on work in the United
States.
Both men possessed strong personalities.
They were known to argue intensely over design issues. But
they also shared a strong mutual respect that contributed
to a healthy friendship and continued after their business
partnership had officially dissolved.
The last years of Thompson's life were spent
in Guelph, Ont., some 40 miles southwest of Toronto. He and
his brother Frank, the 1921 and '24 Canadian Amateur champion,
had purchased The Cutten Club there, supposedly on a hunch
that its founder, Arthur Cutten, had hidden millions of dollars
of negotiable securities in the walls of the clubhouse. Thompson
is said to have knocked down those walls and torn up the floorboards
in search of the treasure.
In recent years, interest in Thompson and
his golf architecture has escalated in Canada. A Stanley Thompson
Society was founded in 1998. Its mission is to educate golfers
about Thompson's design philosophies in an effort to preserve
his original works. An admirable cause indeed, for Stanley
Thompson was a pioneer and a genius in the field of golf architecture.
His work ranks among North America’s best.
This
article appears in Golfweek magazine’s 2001 annual “America’s
Best” issue – March 19, 2001
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